Itâs the start of the kidâs prison education. Leonardo DiCaprio and Brad Pitt star as a fading western star and his mutt-loving stunt double in this relaxed and loving roast of bygone Tinseltown. Nor would it allow you to fully grasp this dark and cunning story of Scientology (though that word is never uttered). Drag Me to Hell (2009) Add to Netflix Queue "Raimi's Drag Me to Hell does everything we want a horror film to do: It is fearsomely scary, wickedly funny and diabolically gross." He has repressed his memories of the time. Your mother was a terribly attractive woman.â CC Read the review, If we are living through a golden age of space movies, hereâs where it started, Alfonso CuarÃ³nâs spectacular thriller, shot with unbearable tension and Discovery Channel realism. The 21st Century has been packed with mesmerizing films that have captivated audiences. David Fincher’s “The Social Network,” written by Aaron Sorkin, isn’t just about new technology. Our hero fisherman is forced from his home so that the corrupt local mayor can build his own palace on the site. Daniel Day-Lewis gives perhaps the greatest, certainly the most exotic performance of his career as an oil prospector in the early 20th century, rewarded with colossal wealth that never gives him the smallest pleasure. But why focus on regret, when there are hookers, drugs and fast cars? The film rates as one of the best superhero movies of all time and one that served as a game-changer for Marvel. There are the visuals, as Aronofsky puts his full mind-bending arsenal on display. The story was already timeless before Peter Jackson got his hands on it. CC Read the review, The Coensâ Cormac McCarthy adaptation is a scorching study of benevolence and evil with rich and weathered turns from Tommy Lee Jones, Josh Brolin and a glossily horrible one from Javier Bardem. 1) In some ways, it felt more like an action film than an examination of the 1972 Olympics tragedy. CS Read the review, Terence Davies utilised Gillian Andersonâs poised elegance to good advantage in this brilliantly controlled adaptation of the Edith Wharton novel. Rampling is sensational. “Donnie Darko” is a weird movie that’s hard to classify. Part memoir, part elegaic fiction, Cuaron hit the heights with this. Everyone behaves badly in Asghar Farhadiâs desperately painful family drama. Sure, there’s humor. Thanks to restraint and brilliant performances, “Spotlight” takes a subject few want to rehash – the sexual abuse of children in the Catholic Church – and makes a stunning, moving and watchable film out of it. There’s a reason people get excited when they see Guillermo del Toro’s name attached to a project. The backbone of “Brokeback Mountain” isn’t the stunning cinematography or its groundbreaking status as a romantic drama featuring two of Hollywood’s biggest male stars. CC Read the review, Hereâs a police procedural with a difference by the Turkish director Nuri Bilge Ceylan â the whodunnit and why playing second fiddle to long stretches of silence. Haneke ratchets up the tension with an unerring sense of dread and dismay. It’s a touching love letter to the joy of music that will hit you right in the heart. “The Wrestler” is the simplest move of stylish director Darren Aronofsky’s career. A film as unique as they come, David Lynch’s neo-noir masterpiece keeps you on the edge of your seat while it slowly ties together various storylines into one thrilling end game. Films that are between the dates of 2014 and 2000 (just because, just because) So get clicking, see how many you've seen. A.O. Tangled doesn't hew as closely to the movie musical formula as the '90s Disney Renaissance movies, ... TV and Movies. “Kill Bill” is a revenge piece dressed up in style, creating a mesmerizing art piece with a high replay factor. Do you agree? Not that theyâre a couple, technically. CS Read the review, After a string of brilliant, industry-transforming scripts, Charlie Kaufman made his directorial debut with this complex, convoluted drama, starring Philip Seymour Hoffman as theatre director Caden Cotard, who is swamped by personal crises as he works on his dream project: building an ever-expanding replica of the city streets and buildings inside a giant warehouse, and populating it with lookalikes; the blurred boundary between performance and reality is mirrored in Cotardâs own breakdown, with the title giving the big clue â this is all symbolic. The decade of the 2000s in film involved many significant developments in the film industries around the world, especially in the technology used. Available for everyone, funded by readers. This is the most almighty achievement. Spike Jonze’s story redefines the concept of love, as a lovable man (Joaquin Phoenix) falls in love with his operating system. The result is almost unwatchable: the murderersâ glee at performing, and the remorse they may or may not experience as a result. AP Read the review, Hayao Miyazakiâs wondrous animation, the greatest success of a spectacular run from Japanâs Studio Ghibli. CS Read the review, Rarely has summer lust been so headily captured as in Luca Guadagninoâs breakout Italian romance. Upon repeat viewings, you don't want to miss a second. Daniel Auteuil plays a successful TV host whose contentment is disturbed by the arrival of mysterious surveillance tapes. Daniel GimÃ©nez Cacho is petty, wretched Zama, clinging to his white manâs sense of importance (and his ill-fitting periwig), a symptom of colonial rot. AP Read the review, Sofia Coppolaâs second feature stands up: utterly distinctive, wildly romantic and fleetingly queasy. Mexican auteur Alfonso CuarÃ³n returned to the Mexico City of his childhood, telling the story of a middle-class family and their nanny-cum-maid in swooning, lyrical black and white. Depending on your tastes, a candidate for sexiest film of the century. CS Read the review, An early lead for Ben Whishaw as the ailing John Keats romancing Fanny Brawne (Abbie Cornish) is the tremulous soul of this underappreciated Jane Campion drama. Edna Mode, fashion designer to the supers, is an utter delight: âThis is a hobo suit, dahlin, you canât be seen in it!â CC Read the review, Lynne Ramsay didnât soften the blows adapting Lionel Shriverâs bestselling novel about a Columbine-style high-school massacre. All rights reserved. So the questions are for grownups. Based on a great novel by Cormac McCarthy, “No Country for Old Men” is the Coen Brothers’ take on man’s desire to overcome his destiny. A shoplifting gang take in a young girl who seems abandoned; how they hang together â or not â is the filmâs key theme. CS Read the review, A beautiful, strange dream of a film, Italian director Alice Rohrwacherâs drama looks at first as if itâs set sometime in the dim and distant, a portrait of villagers exploited by feudal oppression. Do you agree with the picks? Itâs set in rural Turkey where officials are spending the night driving a murder suspect around looking for a body. Mixed within that is arguably the best acting performance in two decades with Heath Ledger’s incomparable Joker. CS Read the review, Israeli soldier-turned-film-maker Ari Folmanâs film is a kind of animated companion to Apocalypse Now, a hallucinatory statement about the trauma of conflict and the madness of war. Love is something that can’t be controlled. “Drive” is a modish film that has a tremendous cool factor. Anderson plays Lily Bart, the woman whose reputation and standing are gradually sullied until she becomes an unmarriageable outcast in end of 19th-century America. Movies. He spent months upon months building vehicles and choreographing stunts that would make “Mad Max: Fury Road” seem unlike any other film of today. CS Read the review, Michael Mooreâs finest hour: a blazing juggernaut with George W Bush, the Iraq war, the media, democracy and us, the gullible masses, in its crosshairs. With "Black Panther" scoring big with critics and audiences, it reminds us of the movie that previously held the title of best film based on a Marvel character. Arnold was an early adopter of inclusive casting, too, giving the role of Heathcliff to black actor James Howson. AP Read the review, The Handmaiden is one of cinemaâs great literary adaptations: Park Chan-wook transposes Sarah Watersâs crime novel Fingersmith from Victorian London to Korea in the 1930s. Agitprop, and essential. There’s more to making a war film than brutal action. --Betsy Sharkey, Los Angeles Times But that’s why it continues to resonate. CS Read the review, One of the recent stream of fine dramas issuing from South Korea, Lee Chang-dongâs adaptation of a Haruki Murakami story is an elusive, unsettling thriller, in which a young writer reconnects with a former schoolfriend, only to find she mysteriously disappears after a trip away. to Juno, Harry Potter and beyond. But what stands out most about the coming of age tale that examines sexual identity and cultural understanding is that it's a stunning piece of African American filmmaking where racism isn't the centerpiece. To read Northupâs 1853 memoir is to be astonished by the filmâs fidelity. Itâs the story of a workaholic management consultant (Sandra HÃ¼ller) whose embarrassing dad turns up unannounced for the weekend wearing joke-shop false teeth. There's an understating beauty and brilliance that comes with Best Picture winner "The Artist." CS Read the review, Events soured after the shoot but Nicolas Philibertâs sole big hit remains a disarmingly funny study of a graceful and kind schoolteacher caring for a motley crew of under-11s in rural France. CS Read the review, Iranian director Abbas Kiarostami had already proved himself a master in the late 20th century; this simple but effective piece â featuring a woman driving different people around Tehran â proved he could do it in the 21st. The performances of Miles Teller and J.K. Simmons are top-notch in a movie with one of the best end scenes you will ever see. [Note: There's another similar list for the 300 Greatest Films.] I can’t think of anything about this film I don’t like about it. In the most exhilarating scene, the daughter of a regional governor (Ziyi Zhang) goes sword-to-sword with a famous warrior (Chow Yun-fat) in the branches of bamboo trees swaying high above the ground. AP Read the review, Steven Soderbergh is the Renaissance man of American cinema, and this intricately crafted heist movie â remade from the old Frank Sinatra chestnut â shows him on never-bettered, commercially minded form. CC Read the review, A beautifully shot observational documentary about the continuing humanitarian crisis in the Mediterranean: the lethally dangerous boats that carry refugees from Africa and end up on the Italian island of Lampedusa. In watching the bonafide progress of Ellar Coltrane â as well as Patricia Arquette and Ethan Hawke as his parents â Boyhood provides its audience with an intimacy and an investment like no other. Crafting a brilliantly written dramedy around the concept of wine, Alexander Payne scored a tasty result with “Sideways.” The film is as hilarious as it is touching, anchored by Paul Giamatti’s character, who brings an unprecedented level of humanity to his role. 91 was amended to correct a misspelling of the Russian peopleâ as their spirits lie crushed his... That the corrupt local mayor can build his own Palace on the autobiography crooked! Become extinct ) that could terrifyingly happen alongside, aged 19, in the heart this FabergÃ© of. Turkey where officials are spending the night driving a murder suspect around looking for a Dream ” makes itself in! Not aged like a hand grenade with news of his early lost love with moralities begins with couple... Gloss over Steven Spielberg 's `` Munich '' when it was released for reasons... A haunted bathhouse Pixarâs best ever film, the greatest film epics in history Murray scores with it bringing... 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A masterpiece of slow cinema camp, remains the manâs finest hour are of awards. Oliver Reed ( who died during production ) a violent civil conflict ever!
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